ORANGE WAS THE COLOUR OF HER DRESS, THEN SILK BLUES by Benjamin Mouly

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ORANGE WAS THE COLOUR OF HER DRESS, THEN SILK BLUES by Benjamin Mouly

12.50

Published by Editions FP&CF

200 x 270 mm, 64 pages, black and white offset printing throughout, saddle stitched, booklet includes smaller single colour risograph text booklet and full colour offset printed postcard, 2013

Editorial conception by Benjamin Mouly, Maxime Milanesi and Guillaume Grall.

"My work is a matter of circulation more than about I do not work. "On" anything but "with" and "between" things. My gaze is fixed to materials, components, the body. Initially as as states and surfaces, and then as qu'intensités passages .

I work for the meeting, without expecting anything of an image. I build in the gap between my intention to make a photograph and the unpredictability of its confrontation in the world. Generating an image for me is to not look like we remember but let arise a form that lets go beauty; continue to wonder what is not to save, or to prove.

If I photograph a body, for example, the body is not the subject of the image. What matters is precisely the way the body slips into his surroundings, as if the limit it was not the skin but the porosity of the skin, passing through the outside. I look at how a body is, the matter of his attitudes.

The same, and always in this idea of ??respect , I work between the images , that is to say, a picture is not without slipping into those that follow and precede . Each cross member and is crossed by the other. I want these images to resonate a wide variety of materials, install a rhythm, a flow that would carry all retain an enigma part." - Benjamin Mouly

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